Genre: Family

A Toy’s Adventure & Connecting Countries

A Toy’s Adventure & Connecting CountriesThe Friendship Doll by Kirby Larson
Published by Random House Children's Books on 2012-05
Genres: 20th Century, Family, Fantasy, Historical Fiction, Middle Grade, Multigenerational, United States
Pages: 201
Goodreads

I am Miss Kanagawa. In 1927, my 57 doll-sisters and I were sent from Japan to America as Ambassadors of Friendship. Our work wasn't all peach blossoms and tea cakes. My story will take you from New York to Oregon, during the Great Depression. Though few in this tale are as fascinating as I, their stories won't be an unpleasant diversion. You will make the acquaintance of Bunny, bent on revenge; Lois, with her head in the clouds; Willie Mae, who not only awakened my heart, but broke it; and Lucy, a friend so dear, not even war could part us. I have put this tale to paper because from those 58 Friendship Dolls only 45 remain. I know that someone who chooses this book is capable of solving the mystery of the missing sisters. Perhaps that someone is you. From the Hardcover edition.

“We live in a wonderful world that is full of beauty, charm and adventure. There is no end to the adventures we can have if only we seek them with our eyes open.”
Jawaharlal Nehru

Suggested age range: 8 and up

Though I read this book late spring of this year, I am just now posting my review of the novel near the end of almost two months of travel abroad.

Think Hitty, Her First Hundred Years plus The Miraculous Journey of Edward Tulane. Those are two of my favorite novels so it is no surprise that Kirby Larson’s 2011 The Friendship Doll became a new favorite. This book is amazing!! It is a slim volume of 201 pages, and yet I tried to read it slowly, in hopes that I could draw out the conclusion. I would not have minded had the book continued on for several hundred more pages. It has been awhile since a book has moved me so, and my hope is that should you read the story, it will move you as well.

The story opens with a real historical event—in 1927, 58 amazing dolls were sent to the United States by Japanese schoolchildren in a symbolic act of reaching out in friendship. One of those 58 dolls is Miss Kanagawa, the doll who narrates the story and encounters various girls over the years, whose lives she touches in profound ways. The time period of the novel begins in 1927 and ends in the present day. There are significant spiritual themes that emerge through these exchanges, such as compassion, hope, faith, and forgiveness. Miss Kanagawa is not able to talk to the people she meets, but even without explicit oral discourse, she is still able to communicate with them and touch their hearts. Through Miss Kanagawa’s travels, the reader meets Bunny, Lois, Willie Mae, and Lucy. All the girls face different challenges and issues through which they must work, such as unforgiveness and selfishness. They also develop traits such as bravery and kindness. It is with Miss Kanagawa’s help that they find resolution.

Needless to say, this story assuredly reflects multiple spiritual dimensions, and this reader can attest to the way the book nurtured my own spirituality and even encouraged me to become more aware of those around me who might be suffering, but do not show it. The story reminded me that small gestures of kindness can mean the world to another person, and also that sharp words can cause terrible damage and hurt. The historical dimensions of the book deepened my awareness of how relations between countries can be strengthened in surprising and creative ways. Perhaps this also points to the idea that connections between people can also be fueled in ways we would never have considered—the notion of exchanging dolls as gifts between America and Japan may not be something the average person knows about. Yet, Larson bases her story on a very real event when fifty-eight friendship dolls were given to the United States by Japanese schoolchildren in 1927.

This is the perfect book to blog about while I am nearing the conclusion of a rich and wonderful journey through multiple countries (England, Belgium, France, Israel) this summer.

Are there any excellent children’s or young adult books you have read this summer that relate to travel or the meeting of other cultures?

What Katie Read

“The Impossible is About to Happen Again”: The Magician’s Elephant

“The Impossible is About to Happen Again”: The Magician’s ElephantThe Magician's Elephant by Kate DiCamillo
Published by Candlewick Press on 2011
Genres: Animals, Elephants, Family, Fantasy, Middle Grade, Orphans & Foster Homes, Siblings
Pages: 201
Goodreads
five-stars

I’m ringing in the New Year with an extended review of one of my favorite novels from 2009.

Kate DiCamillo’s 2009 book, The Magician’s Elephant, opens with ten year-old orphan Peter Augustus Duchene who is desperate to know whether his younger sister is alive.  He stumbles upon a fortuneteller at a circus, and spends his one florit to ask the woman about his sister; she explains that an elephant will lead the way. And what would you do if the answer to your most important question was “You must follow the elephant…She will lead you there”?

The book opens with a major event—the asking of a question whose answer will surely change the life of Peter, the orphaned protagonist. There is a point at which Peter shrinks back from his decision, and reflects, “What if, after all this time, he could not bear the truth? What if he did not really want to know?” Surely some readers understand how Peter agonizes over the possibility of knowing a truth that might be too much for him to bear. Knowing the truth is not always as simple as it seems; with the truth comes responsibility, and sometimes pain. For certainly, there are times when knowing the truth is necessary, and yet the space between not knowing and knowing involves a fear one must press through.

For Peter, the revelation about his sister catapults him into a reality in which he must find her. And so the story truly begins and we, the reader, gladly follow Peter throughout the narrative as he searches for the elephant, who in fact, has crashed through the roof of the concert hall, and is very much alive and well. DiCamillo has situated the reader in a multi-layered and complex landscape—to find his sister, Peter has to follow the elephant, but how and when will this happen?

The fortuneteller also states that “the truth is forever changing.” And what does this mean? The truth, it seems, is that if Peter finds the elephant, he will find his sister. But when he finally sees the elephant, the truth does change. Peter recognizes that the elephant is heartbroken, imprisoned far away from the familiarity of her home. Rather than insist on discovering the truth of his sister’s whereabouts, Peter responds to “the terrible truth of what he saw, what he understood in the elephant’s eyes. She was heartbroken. She must go home.” Peter now devotes all of his energy to connecting and orchestrating the necessary people so that the elephant can be transported back. For him, it appears, the truth of what he must do has changed.

And yet it hasn’t. For in his decision to help the elephant, Peter inadvertently sets into motion the journey that will deliver his sister to him through a unique and surprising chain of events and people.  Essentially, the people and the animals in the book are the ones we love—and it is the miracle of the elephant that brings these flawed and lovely characters together. It is Peter and Adele and Sister Marie and Bartok Whynn and Hans Ickmann and Madam LaVaughn and Leo & Gloria Matienne and the magician and Vilna Lutz and Tomas and Iddo. They are the ones we cherish by the end of the book—they are the ones who give readers a little more insight into this journey we call life, and the importance of keeping our eyes open so that we see those that are perhaps rarely seen. The Magician’s Elephant suggests that our senses can be sharpened as we read children’s literature. Our sensitivity towards people can grow.

What Peter’s predicament illustrates is that the answer to the major questions we ask may not always be as neat and straightforward as we would hope. We may have to follow an elephant, an impossible scenario. And, though we feel blind and absolutely incapable of finishing the journey, following the elephant does, in fact, lead to the treasure. And perhaps, like Peter’s quest, the journey works to reveal the treasure along the way, for people are the treasure. In DiCamillo’s text and through Yoko Tanaka’s atmospheric acrylic illustrations, we meet the beggar Tomas with the beautiful voice, and his dog, Iddo, who longs “to deliver, just once more, a message of great importance.” We want Iddo to make that significant announcement. And he certainly does on page 175: “Something incredible was approaching. He knew it, absolutely, to be true. Something wonderful was going to happen, and he would be the one to announce it. He worked with the whole of his heart to deliver the message.”

Our hearts long for reconciliation between the magician and Madam LaVaughn who is crippled because of a magic trick. These characters deliver the message that forgiveness is the key to freedom—as soon as Madam LaVaughn releases the magician from prison, explaining that she won’t press charges anymore, she “felt some great weight suddenly flap its wings and break free of her. She laughed aloud.” Often we do not realize the power of forgiving those who hurt us—who even cripple us. This is yet one of the amazing truths DiCamillo unfolds on the landscape of this fantastic story.

Readers wish for Hans Ickmann to be happy again, as he was when young, with his brothers and their little white dog, Rose—“a dog who was famous for being able to leap across the river that ran through the woods beyond the town.” It is Hans, in fact, who helps Peter and his entourage gain access to Madam LaVaughn during a pivotal point in the story. Though at first he hesitates as they stand at the door, requesting to see the woman, in the next moment, he recalls the name of the little white dog he had loved so much as a child. And then, “He felt a wonderful certainty. The impossible, he thought, the impossible is about to happen again.

The impossible is what we need to happen. And happen it does within the pages of DiCamillo’s text—but the deep truth of the novel is that the impossible can happen in our own world, in the reader’s world. Like Leo Matienne, we must ask the three questions: “What if? Why not? Could it be?” And we must ask them regularly.

The Magician’s Elephant beautifully illuminates the power of relationships and connections with other people and suggests that such links are necessary and vital within people’s lives, especially in the context of finding what is lost. DiCamillo’s text highlights several spiritual dimensions, and strongly speaks to readers’ spirits so that by the end, we may feel a little more hope, a little more wonder, and a little more awe at the fact that an elephant can appear when we need her, and then disappear even as our hearts are blanketed with astonishment.

five-stars
What Katie Read
%d bloggers like this: